
his was one of those projects I had dreamed of for years, never quite believing I would actually make it happen. The inspiration was a spectacular evening gown by Charles Frederick Worth, preserved in the collection of The Metropolitan Museum of Art.

source: metmuseum, Design House House of Worth French, 1898–1900
The dress required a great deal of work: a structured skirt, a boned bodice and multiple layers. But the biggest challenge was recreating the velvet-like leaves on the satin fabric. Fashion historians still debate how this effect was achieved in the original gown.
I found my own modern solution. Working from just two photographs of the original leaves, I traced their shapes, recreated the arrangement and had the pieces laser-cut from a special velvet-effect adhesive film. I then carefully applied each leaf to the fabric before sewing the dress.


The finishing touch was the beaded decoration, which took me an entire month to prepare.

For me, this project was about more than sewing. It was a chance to combine historical research, problem-solving and modern techniques to bring a long-held dream to life.

My gown photographs by J. Popczyk

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